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New! Magazine – 15 April 2019
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This is a dictonary for various nuke reasons, published at rlslog.
Saw it when I was surfing there.

If you’re a hardcore scener, you can probably leave this page right now, there’s no use in reading following paragraphs for you. However, there are also many people who are not so familiar with a scene slang and that’s why we decided to collect a list of most common nuke reasons and explain them for you. This way, you will always know what to expect from a release which is nuked.

stolen.from.p2p – lately a very popular and common nuke reason. This basically means that the scene group which pred the release stole it from another source – specifically a peer to peer network (p2p) in this case. In most cases, this means a private BitTorrent tracker, which obtained and released the copy of a movie faster than any other scene source. This nuke reason will not affect your viewer’s experience and many sceners consider it useless as we basically steal the movies anyway.

stolen.src – stolen source. Similar or same as the above nuke reason. Scene groups can steal the video or audio also from each other, apart from stealing from peer to peer networks.

bad.res – bad image resolution. The scene rules define allowed image resolutions and their aspect ratios. If a movie doesn’t fit in these rules, it means the image will be probably malformed in a certain way. Many advanced video players allow to change the image resolution, so this can be sometimes fixed at your computer.

bad.ar – bad aspect ratio. A similar reason to the above one. Each video was originally filmed and released in a specific aspect ratio (horizontal vs. vertical side). The most common AR is 2.35:1 which is for example a resolution of 640×272 pixels. Bad aspect ratio leads to inproportional image, where characters appear to be either too wide or, more often, too tall. This can be also fixed with some media players.

dupe – dupe means simply a dupe. The nuked release was already released by another group earlier, so the nuked one is basically useless, doubled. This doesn’t really matter if you don’t care about the strict scene rules.

undersized – a release is nuked for being undersized when it doesn’t fully use the capacity of one or two CDs. This means that the final rip is for example 680 MB, while it could be 700 MB and offer a better quality of image and audio. Once again, this is not a serious deal unless it’s undersized by hundreds of megabytes.

oversized – guess what.

bad.crop, overcropped – movies on DVD contain black parts of the image above and below the actual video. In order to decrease the final size and offer the best possible quality, these black parts must be removed before encoding and releasing in xvid. Sometimes, scene groups don’t properly remove / crop these parts and it means that the image misses top or bottom part, therefore you don’t see the whole scene. Cropping is often used also for removing watermarks or hardcoded subtitles, but it still means a serious loss of the image. The other, not so common extreme, is when a group forgets to remove these black boxes.

bad.ivtc, no.ivtc – quite a common nuke reason which affects mostly lower-quality releases. IVTC means “inverse telecine” and it’s basically a process of converting a movie (usually PAL) with high FPS (30 frames per second) to lower FPS (for example 24) in order to save space and offer better image quality. This conversion often goes wrong (bad.ivtc) or completely lacks (no.ivtc, lazy sceners)). As a result, the image appears to be jerky and the final release uses too much space for no reason.

interlaced – the image contains visible black lines, which often cause the video to be completely unwatchable. These black lines are visible mostly during movement on the image and are caused by incorrect field order. I won’t go into details explaining the reasons for this – it’s caused by different way of displaying frames and fields (half-frames) in the video, more details are available for example here. It’s highly recommended to not download any interlaced release.

cbr.audio – audio can be either CBR (constant bit rate), or VBR (variable bit rate). According to the scene rules, all releases should contain VBR audio, so any release with CBR is instantly nuked. Variable bit rate allows better quality, according to the current sound, while constant one sets the same quality for the whole movie, including the quiet parts. However, releases with AC3 audio almost always use CBR. It’s often hard to distinguish the difference between CBR and VBR for an untrained ear, so this nuke reason isn’t too serious if you don’t care about the rules.

bad.fps – bad frame rate. The frame rate should be close to the original framerate. Not a very common nuke reason, but it’s better to beware any release with this nuke.

mislabeled – a release trying to look like a better quality rip. A good example would be an R5 rip from Russian video source released as dvdrip – the difference isn’t that big in this case and scene groups always get more props for releasing dvdrips. The another case can be a typo or wrong year in the release name.

grp.req – a nuke requested by the release group. Happens when a scene group releases something and realize it’s completely wrong, not working or simply bad, so they request a nuke.

oos, out.of.sync – out of sync, audio isn’t synced with video. Extremely annoying mistake which makes most of such release completely unwatchable. This happens very often with cams, telesyncs and telecines, which require a synchronization of audio and video from different source. Some releases are completely out of sync, while others have this problem only for a few seconds or minutes.

bad.pack – bad packing. The group didn’t pack their release properly, according to scene rules. This means they either forgot to pack it into 15/20/50 MB RARs or it’s completely impossible to unpack it.

invalid.proper – proper is a release fixing other, previously nuked release. When a certain group releases proper and the first release is actually fine, the new one becomes nuked for invalid proper.

qpel.not.allowed – qpel or quarter pixel is a feature of modern encoding codecs such as H.264 which allows better and more efficient compression. Videos encoded with quarter-pixel precision motion vectors require up to twice as much processing power to encode, and 30-60% more processing power to decode. Thus, such releases often cause software problems or are completely unplayable at certain DVD players.

ghosting – annoying feature of a release, which result into ghost effect during every movement in the movie. It’s caused by inproper encoding and can’t be easily fixed.

field.shifted, dupe.frames, blended.frames, custom.quant.matrix – other mostly serious faults affecting the image, caused during encoding the final video.

divx.not.allowed, no.audio, missing.audio, get.rerip, get.proper – no need to explain these I guess…

CAM

A cam is a theater rip usually done with a digital video camera. A mini tripod is sometimes used, but a lot of the time this wont be possible, so the camera make shake. Also seating placement isn’t always idle, and it might be filmed from an angle. If cropped properly, this is hard to tell unless there’s text on the screen, but a lot of times these are left with triangular borders on the top and bottom of the screen. Sound is taken from the onboard microphone of the camera, and especially in comedies, laughter can often be heard during the film. Due to these factors picture and sound quality are usually quite poor, but sometimes we’re lucky, and the theater will be fairly empty and a fairly clear signal will be heard.

TELESYNC (TS)

A telesync is the same spec as a CAM except it uses an external audio source (most likely an audio jack in the chair for hard of hearing people). A direct audio source does not ensure a good quality audio source, as a lot of background noise can interfere. A lot of the times a telesync is filmed in an empty cinema or from the projection booth with a professional camera, giving a better picture quality. Quality ranges drastically, check the sample before downloading the full release. A high percentage of Telesyncs are CAMs that have been mislabeled.

TELECINE (TC)

A telecine machine copies the film digitally from the reels. Sound and picture should be very good, but due to the equipment involved and cost telecines are fairly uncommon. Generally the film will be in correct aspect ratio, although 4:3 telecines have existed. A great example is the JURASSIC PARK 3 TC done last year. TC should not be confused with TimeCode , which is a visible counter on screen throughout the film.

SCREENER (SCR)

A pre VHS tape, sent to rental stores, and various other places for promotional use. A screener is supplied on a VHS tape, and is usually in a 4:3 (full screen) a/r, although letterboxed screeners are sometimes found. The main draw back is a “ticker” (a message that scrolls past at the bottom of the screen, with the copyright and anti-copy telephone number). Also, if the tape contains any serial numbers, or any other markings that could lead to the source of the tape, these will have to be blocked, usually with a black mark over the section. This is sometimes only for a few seconds, but unfortunately on some copies this will last for the entire film, and some can be quite big. Depending on the equipment used, screener quality can range from excellent if done from a MASTER copy, to very poor if done on an old VHS recorder thru poor capture equipment on a copied tape. Most screeners are transferred to VCD, but a few attempts at SVCD have occurred, some looking better than others.

DVD-SCREENER (DVDscr)

Same premise as a screener, but transferred off a DVD. Usually letterbox , but without the extras that a DVD retail would contain. The ticker is not usually in the black bars, and will disrupt the viewing. If the ripper has any skill, a DVDscr should be very good. Usually transferred to SVCD or DivX/XviD.

R5

This is fairly new movie format. Basically the same as DVD Screener – this kind of release is legal DVD released in Russia to decrease the level of pirated movies in this country. Retail is rushed out by the studio, so there is little to no cleanup of the film after the telecine process. As a result, you can see some scratches, hairs or other mess on the picture, but you will hardly notice it while watching. External English audio is often used, as these are supplied with Russian sound by default.

DVDRip

A copy of the final released DVD. If possible this is released PRE retail (for example, Star Wars episode 2) again, should be excellent quality. DVDrips are released in SVCD and DivX/XviD.

VHSRip

Transferred off a retail VHS, mainly skating/sports videos and XXX releases.

TVRip

TV episode that is either from Network (capped using digital cable/satellite boxes are preferable) or PRE-AIR from satellite feeds sending the program around to networks a few days earlier (do not contain “dogs” but sometimes have flickers etc) Some programs such as WWF Raw Is War contain extra parts, and the “dark matches” and camera/commentary tests are included on the rips. PDTV is capped from a digital TV PCI card, generally giving the best results, and groups tend to release in SVCD for these. VCD/SVCD/DivX/XviD rips are all supported by the TV scene.

WORKPRINT (WP)

A workprint is a copy of the film that has not been finished. It can be missing scenes, music, and quality can range from excellent to very poor. Some WPs are very different from the final print (Men In Black is missing all the aliens, and has actors in their places) and others can contain extra scenes (Jay and Silent Bob) . WPs can be nice additions to the collection once a good quality final has been obtained.

DivX Re-Enc

A DivX re-enc is a film that has been taken from its original VCD source, and re-encoded into a small DivX file. Most commonly found on file sharers, these are usually labeled something like Film.Name.Group(1of2) etc. Common groups are SMR and TND. These aren’t really worth downloading, unless you’re that unsure about a film u only want a 200mb copy of it. Generally avoid.

Watermarks

A lot of films come from Asian Silvers/PDVD (see below) and these are tagged by the people responsible. Usually with a letter/initials or a little logo, generally in one of the corners. Most famous are the “Z” “A” and “Globe” watermarks.

Asian Silvers / PDVD

These are films put out by eastern bootleggers, and these are usually bought by some groups to put out as their own. Silvers are very cheap and easily available in a lot of countries, and its easy to put out a release, which is why there are so many in the scene at the moment, mainly from smaller groups who don’t last more than a few releases. PDVDs are the same thing pressed onto a DVD. They have removable subtitles, and the quality is usually better than the silvers. These are ripped like a normal DVD, but usually released as VCD.

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